i put them to rest
By Ariya Bandy
short story
cw: grief

Impossible to miss, the door is painted hazmat yellow. For better or worse, it’s prepped
for me and propped open. I keep the car barely rolling against the gravel until I’m lined up with
the entrance. Can lock in hand, I make my first trip to take a look at the storage unit. Past this
first hallway is another yellow door leading to the next identical hallway. Unit 2240, 2242, not
even close. I wonder if any goodies from my gift shop have ended up in any of these units.
Candles? Paperweights? Ah! 2260. I lift the roll-up door halfway to inspect. Standard 5 by 5 feet.
No visible dirt. Musty, sure, but nothing unexpected. Just in case, I force the metal shade the rest
of the way up and tiptoe to the other side. I must check for anything undesirable. The floor seems
dry. Good sign. No roaches. No rodents. I crouch down to get a better sniff. This seems
sufficient.
A single row of flashing track lights takes me back the way I came, past the white steel
doors and gray walkway. I’m surprised not to see a fire extinguisher. It would’ve brightened the
place up. I yank the trolley out of its corner to push it halfway through the door, then take one
large step over it to get to the trunk, so packed that a strip of gum wouldn’t fit. The top three
boxes fit on the trolly, and back we go to their new home.
Toys. All of this trouble for the most worthless things when unused. The countless
puzzles are in this first box. Unsurprisingly heavy, it only seems fitting that it took masterful
arranging to fit each and every one within the same space. Jigsaws, combination puzzles (he
gave up at the 5 by 5 cube), the works. When I was packing, I found a wrapped mint in a puzzle
box. Regardless of whether or not he intended to re-gift it to me, I brought it to keep me
company on the car ride home. I push the box into the corner with the ball of my foot for good
measure. Strands of black and gray hair block my vision. I pull my hair into a ponytail at the
nape of my neck, only for it to fall out into my hand. I let go. It hits the ground but makes no
sound.
Then, of course, there’s all the merchandise for characters who don’t exist and of
corporations my son supposedly doesn’t support anymore: plastic food, foam swords, disfigured
puppets. To him, it’s just junk from the past taking space from the present. Burnt money would
have had more utility. I still stack this box on top of the first, hoping the cardboard keeps form.
I run my palms over my head, smooth, hairless, and… earless. Like moving joints, my
ears detach from my head. No wound. No blood. I hold them together to the light outside the
unit. They look like butterfly wings. I place them to rest along with my hair. I’ll deal with this
mess later.
Board games. Most of them are probably missing their dice, but if we could find one
made of wood and another of red plastic, I was off to the races against the reigning champ. I
guess this is where my son’s winning habit started. As I let the box drop, my fingers go with it,
bouncing like dice and landing at different angles.
In order to move the next boxes, I have to push the trolley with the heels of my lone
palms and wrap my arms around each box, letting the cardboard dig into my biceps. A few fall
onto the ground, but seeing as I cannot hear the severity of the drops nor peel off the tape to peek
inside, I figure it is best just to save everything. When I remove my shoe to see what is stuck in
it, my foot comes off with it, spilling into the pile alongside separated toes.
Wobbly trolleys are really only useful if you have most appendages. When I am shaved
down to only a torso, neck, and head, I push using teeth and tongue, letting dust, cardboard, and
blood get caught in my saliva. I wonder what this flavor would be called. Each arrival to the unit
begins to take what is left of my face.
To keep the goods moving, I bash my head against them while allowing the floor to
scrape my abdomen and boxes alike. It’s actually far less painful without a nose always getting
in the way. By the time it came off, it had practically been ground to a liquid.
My eyes fall out of their sockets and my head tumbles off of my shoulders. I now need to
start from outside the door, rolling in from the road to build momentum to move the last box
with my rib cage. I don’t need to see where I’m going anymore. There’s a fresh red carpet of
blood.
It’s okay. The kid who lived through these boxes is still alive. He’s thriving in fact. A
man who opened his own gift shop and emphasized supporting local artists and marketing to the younger generation. He’s a star. Putting me out of business was just the cost of his brilliance. It’s
okay.
Once I have rolled in the last of my son’s remnants, I lie in the doorway, the cold floor
pressing against my vertebrae. My chest rises and falls until interrupted by a jagged metal mass
that slices straight through my sternum. I was wondering how I was going to close the door in
this condition. Glad that’s taken care of.
***
Ariya Bandy (she/her) is a writer of fiction and poetry whose debut chapbook, Painted Winds, is out from Bottlecap Press. Her work appears in Nightmare Magazine, 100-Foot Crow, Stone Circle Review, and elsewhere. Find her online at @storyofariya or on ariyabandy.com.